{"id":139,"date":"2013-02-19T14:54:03","date_gmt":"2013-02-19T13:54:03","guid":{"rendered":"http:\/\/sinedjib.wordpress.com\/?p=139"},"modified":"2026-03-02T23:31:50","modified_gmt":"2026-03-02T22:31:50","slug":"hors-la-loi","status":"publish","type":"post","link":"https:\/\/sinedjib.com\/index.php\/2013\/02\/19\/hors-la-loi\/","title":{"rendered":"L’histoire et la politique hors-la-loi"},"content":{"rendered":"\n

On peut lire mon dernier article, \u00ab\u00a0L’histoire et la politique hors-la-loi? R\u00e9flexions autour d’un film sur des ind\u00e9pendantistes alg\u00e9riens\u00a0\u00bb, dans la revue French Politics<\/em><\/a>, Vol. 30, No. 3\u00a0Winter 2012, pp. 119-129<\/strong><\/p>\n\n\n

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\"\"<\/figure><\/div>\n\n\n

En voici les premi\u00e8res lignes :<\/p>\n\n\n\n\n\n\n\n

Constamment reconstruit suivant les logiques du temps pr\u00e9sent, le cin\u00e9ma historique appara\u00eet comme le produit d’une \u00e9quation \u00e0 plusieurs variables d\u00e9pendant, tout \u00e0 la fois, de la configuration interne des relations au sein des univers politique et cin\u00e9matographique et des modalit\u00e9s sp\u00e9cifiques de leur croisement. 1<\/sup><\/sup><\/em><\/p>\n\n\n\n

J’ai fait partie de ceux qui attendaient avec une r\u00e9elle impatience la sortie du dernier film de Rachid Bouchareb. Je n’avais pourtant gu\u00e8re appr\u00e9ci\u00e9 le message et l’esth\u00e9tique du film Indig\u00e8nes<\/i>, pr\u00e9sent\u00e9 comme le prologue de Hors-la-Loi<\/i>, et encore moins la reprise du \u00ab Chant des Africains \u00bb par les acteurs r\u00e9compens\u00e9s lors du Festival de Cannes en 2006. Chant qui, rappelons-le, \u00e9tait devenu un hymne colonialiste durant la r\u00e9volution alg\u00e9rienne et qui fut interdit dans l’arm\u00e9e fran\u00e7aise sous la pr\u00e9sidence de Charles de Gaulle. Apr\u00e8s 1962, il appartiendra au patrimoine des nostalgiques de l’Alg\u00e9rie colonis\u00e9e.<\/p>\n\n\n\n

Ma d\u00e9ception fut grande en sortant de la salle, malgr\u00e9 les avertissements glan\u00e9s dans les m\u00e9dias alg\u00e9riens et fran\u00e7ais, en particulier \u00e0 l’occasion la pol\u00e9mique relative \u00e0 sa projection au festival de Cannes que des militants de l’Alg\u00e9rie fran\u00e7aise voulaient perturber sans avoir vu le film. Jean Br\u00e9hat, co-producteur, annon\u00e7ait alors : \u00ab Il y a une base historique, mais c’est avant tout un film de gangstersii<\/sup><\/sup> <\/i>\u00bb. Je pouvais alors commencer \u00e0 temp\u00e9rer mon enthousiasme. En reprenant les principaux \u00e9l\u00e9ments de r\u00e9flexion sur les contours de la critique du film, je m’attacherai dans cet article \u00e0 restituer quelques enjeux autour du cin\u00e9ma alg\u00e9rien et de la repr\u00e9sentation du mouvement ind\u00e9pendantiste.<\/p>\n\n\n\n

\n\n\n\n
\n

i Sylvie Lindeperg, \u00ab La R\u00e9sistance rejou\u00e9e. Usages gaullistes du cin\u00e9ma \u00bb, <\/span>Politix<\/i><\/span> 6, 24 (1993),  151.<\/span><\/p>\n<\/div>\n\n\n\n

\n

ii L’Express<\/i>, 6 mai 2010.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

On peut lire mon dernier article, \u00ab\u00a0L’histoire et la politique hors-la-loi? R\u00e9flexions autour d’un film sur des ind\u00e9pendantistes alg\u00e9riens\u00a0\u00bb, dans la revue French Politics, Vol. 30, No. 3\u00a0Winter 2012, pp. 119-129 En voici les premi\u00e8res lignes :<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[1810,112,1431,302,443,457,469,545,864,982],"class_list":["post-139","post","type-post","status-publish","format-standard","hentry","category-publications","tag-1810","tag-algerie","tag-cinema","tag-colonialisme","tag-film","tag-france","tag-french-politics","tag-hors-la-loi","tag-nedjib-sidi-moussa","tag-rachid-bouchareb"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9lTYU-2f","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":356,"url":"https:\/\/sinedjib.com\/index.php\/2015\/05\/06\/linfamie\/","url_meta":{"origin":139,"position":0},"title":"Yves Dech\u00e9zelles : L’infamie","author":"Nedjib Sidi Moussa","date":"06\/05\/2015","format":false,"excerpt":"Article d'Yves Dech\u00e9zelles paru dans La Commune, n\u00b0 7, mars 1958 Yves Dechezelles, \u00e0 gauche, ici avec Marceau Pivert, 1er mai 1947 \u2013 Contrairement \u00e0 Dechezelles, Pivert sera oppos\u00e9 au RDR \u2013Photo Fonds Marceau Pivert (CHS) Quant \u00e0 l'int\u00e9grit\u00e9 intellectuelle, il y a longtemps que M. 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